The Amateur Shutterbug Field Guide:

Written by:

Jeff MacAfee
jmacafee@gpo.gov


Editor's Note: Each Digital Tools article will focus on a technology that makes our lives as publishers easier. The use of trade, firm, corporation, or product names in this article (or page) is for the information and convenience of the reader. Such use does not constitute an official endorsement or approval by the United States Government Printing Office, or the ePUB Support Group of any product or service to the exclusion of others that may be suitable. There are many programs available that accomplish the same tasks as those listed herein. We chose to provide you, the reader, with one particular tool so that you may see the possibilities that technology can provide. With all that said, enjoy the article.

 

In past articles, ePUB has targeted attention on software packages that should not be used for professional publishing (i.e. office graphics applications). Most of these articles only alluded to the fact that software for professional print publishing exists. It is time to rectify this glaring omission and spill the beans on what our print vendors really prefer when receiving your electronic files. This article will not only tell you what software print vendors prefer, but also tell you why! In a bit of twisted logic, “WHY” comes first.


First, the WHY!

When something is created, using the proper tools (and an understanding of how to use the tool) not only makes things easier, it is often required. The Mona Lisa was not created with a hacksaw, primarily because a hacksaw does not have the capabilities to paint. In the same vein, proper tools for the print and design world must be capable of producing good printing art. What is good printing art? Well, the following is the start of a good list:

  • Support for PANTONE and CMYK color modes
  • Typesetting features
  • HTML & XML export
  • TIFF & EPS support
  • Prepress capabilities (bleed, printer marks, color separations, etc.)
  • Preflight options
  • Software has been written (coded) for a PostScript environment


Now the WHAT!

A properly constructed “file submission” consists of three* different parts (layout file, graphics files, and photographic files). Therefore, discussion will center around three different types of software applications:

  • Page Layout
  • Drawing
  • Image Manipulation

*Fonts are the fourth component of “good files,” but the need for fonts is beyond the scope of this article.


Page Layout

The print and design industry has embraced QuarkXPress as the de facto standard for layout of publishing files. This has been true since the dawn of man, or at least the dawn of electronic print publishing. Oh sure, Adobe PageMaker has a following, especially among Windows users, but seems to stay in Quark’s shadow. Another challenger, Adobe InDesign, has entered the arena with a powerful promise of tools worthy to break Quark’s stronghold on the print/design industry; yet, there is still no mad rush to change. However, as the most recent upgrades to both Quark and InDesign have been released (5.0 & 2.0, respectively) an even playing ground has emerged and the trade journals are talking about the potential for a shift in power. Whether the upstart upends the champion remains to be seen.

Some software packages have been intentionally omitted. Why, you ask? Well, because of a little known vendor acceptance rule that states “We only accept Quark, PageMaker, and InDesign. We don’t accept THAT.” These packages, such as Adobe FrameMaker and Microsoft Publisher, can produce successful output but have limited support in the print industry. The reasons for the lack of support are not important. What is important is that your software may be the best tool in the world for creating your document, but if the print community does not provide support, the software does you no good. Finally, always remember that whatever you do, do not use Microsoft Word or Corel WordPerfect for your layout.


Drawing

For drawing software packages, a print vendor’s main desire is to receive good, clean vector line art. Vector line art includes, but is not limited to, text, maps, logos, line illustrations, charts, and graphs. Regardless of the software packaged used, vector line art should be saved or exported as an Encapsulated PostScript (.eps) graphic. Once exported, the .eps file must be properly placed into a layout file. Remember, no cutting and pasting allowed. In the print industry, the most commonly accepted drawing software packages are Adobe Illustrator and Macromedia FreeHand. Both are very powerful tools for creating vector art, and both are well supported by the print industry.

In addition to these common packages, there is other software available, specifically designed for generating charts and bar graph graphics. For instance, SPSS DeltaGraph software is designed to create charts and includes “printing art” features necessary for high-end output. These features include proper color support and line weight values that office graphics programs like Excel and Quattro Pro lack. CorelDRAW, another vector package, is often successfully used for vector art; however, caution must be observed. Due to quirks in CorelDRAW, the printing industry as a whole can be somewhat leery of CorelDRAW .eps files.

Drawing software should be used to create images that are resolution independent. This means that a logo, drawn at 2” x 2” can be stretched to 20” x 20” with no loss in image quality. In fact, a vector image can be stretched indefinitely, in theory.



Image Manipulation

If QuarkXPress is a de facto industry standard, then Adobe Photoshop is clearly the industry’s heavyweight champion of the world! Like QuarkXPress, Photoshop is the standard when dealing with image manipulation, but it has an even larger market share. According to GPO stats, more than 90% of all work submitted to GPO contains Photoshop images.

Whereas drawing software handles vector files, image manipulation software is designed to work with raster images (scans or digital photographs – images made of pixels). A chief difference between image and drawing software is that with image software, the files are resolution dependent. That means that if you enlarge a 3” x 3” image at 300 pixels per inch (ppi) to a 6” x 6” image the resolution of the new sized image would be 150 ppi. ePUB recommends 300 ppi images for all raster art (photos) and 800 ppi for all scanned line art.

As with the other types of packages, there are image manipulation packages that can be used, but we find the majority of our vendors are most familiar with or utilize only Adobe Photoshop in their shops. Some vendors will support Corel PHOTO-PAINT as well. The key thing to remember is that raster art should be saved as a Tagged Image File Format (.tif) file. Other formats such as .gif or .jpg should only be used for Web images.




It’s time to preach a bit for the conclusion of this article. As with any tool, if you do not know how to use it, or why you should use it, the tool most likely will not work for you. It is entirely possible to use good software to create bad design. Problems that exist in packages not designed for print (e.g., RGB color, resolution, fonts, missing graphics, file formats) can be duplicated in the professional software packages. The professional packages identified in this article only give you the proper foundation to build upon. It is up to you to educate yourself in the proper usage of these tools. GPO offers several courses through our Institute for Federal Printing and Electronic Publishing that may help you! More info available at http://www.gpo.gov/ifpep or phone at (202) 512-1116.


 

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